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畢加索名作畫(huà)中有畫(huà)

Hidden painting found under Picasso's The Blue Room

中國(guó)日?qǐng)?bào)網(wǎng) 2014-06-23 09:39

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畢加索名作畫(huà)中有畫(huà)

點(diǎn)擊看《藍(lán)色房間》原圖

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A hidden painting has been found by scientists beneath the brush strokes of The Blue Room, a 1901 Picasso artwork.

Art experts and conservators at The Phillips Collection in Washington used infrared technology on the masterpiece, revealing a bow-tied man with his face resting on his hand.

Picasso created both works in Paris during his famous blue period.

"It's really one of those moments that really makes what you do special," said conservator Patricia Favero.

Acknowledged as one of the 20th Century's greatest artists, Pablo Picasso focused on monochromatic paintings in shades of blue and blue-green during his blue period from 1900 to 1904.

The Blue Room has been the subject of exploration since 2008 by experts from the Phillips Collection, National Gallery of Art, Cornell University and Delaware's Winterthur Museum.

Improved infrared imagery allowed them to see a man wearing a jacket and bow tie, resting his bearded face on his hand with three rings on his fingers.

When the image was turned on its side, it revealed a portrait of a man.

Technical analysis confirmed the hidden portrait was likely to have been painted just before The Blue Room.

Favero added that, having found the second image back in 2008, they then wanted to know who the man was.

"We're still working on answering that question," she said.

Curator Susan Behrends Frank told press agency AP: "When he [Picasso] had an idea, you know, he just had to get it down and realise it," explaining that the artist had quickly painted over another completed picture when the inspiration took him.

"He could not afford to acquire new canvasses every time he had an idea that he wanted to pursue. He worked sometimes on cardboard because canvas was so much more expensive.''

The Blue Room has been part of the Phillips Collection since 1927.

Conservators suspected back in 1954 it may have had another painting below its surface, as brushstrokes did not match the composition of a woman bathing in Picasso's studio.

But it was not until the 1990s that an X-ray revealed a "fuzzy image" of something under the main image.

Research on The Blue Room will continue and curators have planned a 2017 exhibition focusing on the painting and the portrait beneath it. It is also part of a tour to South Korea in 2015.

This is not the first time a hidden image has been found beneath a Picasso artwork.

A technical analysis of La Vie at the Cleveland Museum of Art revealed he had reworked the painting's composition, while a moustached man was found beneath the painting Woman Ironing at Manhattan's Guggenheim Museum.

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據(jù)英國(guó)廣播公司(BBC)網(wǎng)站6月17日?qǐng)?bào)道,人們?cè)诋吋铀?901年畫(huà)作《藍(lán)色房間》下發(fā)現(xiàn)一隱藏畫(huà)作。

華盛頓菲利普收藏館的藝術(shù)專家和管理員用紅外線技術(shù)掃描這幅杰作,發(fā)現(xiàn)了一位打著領(lǐng)結(jié)、托著腮的男人。

這兩幅畫(huà)是畢加索在“藍(lán)色時(shí)期”在巴黎創(chuàng)作的。

“發(fā)現(xiàn)這個(gè)‘畫(huà)中畫(huà)’真是一個(gè)激動(dòng)人心的時(shí)刻,”管理員Patricia Favero說(shuō)。

作為20世紀(jì)最杰出的的藝術(shù)家之一,在1900年至1904年的“藍(lán)色時(shí)期”里,畢加索側(cè)重于應(yīng)用藍(lán)色或藍(lán)綠色陰影創(chuàng)作單色畫(huà)作。

來(lái)自菲利普斯收藏館、國(guó)家美術(shù)館、康奈爾大學(xué)和特拉華州溫特圖爾博物館的專家們從2008年開(kāi)始研究《藍(lán)色房間》。

改良的紅外線成像讓他們看到一個(gè)系著領(lǐng)結(jié)、手戴三個(gè)戒指,并且把留著胡須的臉枕在胳膊上的男人。

把畫(huà)作順時(shí)針轉(zhuǎn)九十度垂直觀看時(shí),一名蓄胡子的男子赫然出現(xiàn)。

技術(shù)分析證實(shí),被隱藏起來(lái)的肖像很可能創(chuàng)作于《藍(lán)色房間》之前。

Favero還表示,從2008年發(fā)現(xiàn)背面圖像起,他們一直想知道那個(gè)男人是誰(shuí)。

“我們?nèi)匀恢铝τ诮鉀Q這個(gè)問(wèn)題,”她說(shuō)。

館長(zhǎng)Susan Behrends Frank告訴美國(guó)聯(lián)合通訊社:“一旦他(畢加索)有了靈感,他必須抓住它并且描繪出來(lái),”意思是當(dāng)靈感迸發(fā)時(shí),藝術(shù)家們會(huì)在另一幅已完成的畫(huà)作背面作畫(huà)。

“他不能在每次靈感到來(lái)時(shí)都能找到新畫(huà)布繼續(xù)作畫(huà)。有時(shí)他會(huì)畫(huà)在卡紙上,卡紙比帆布便宜多了。”

《藍(lán)色房間》從1927年就被菲利普收藏館收藏了。

早在1954年,管理員就懷疑這幅畫(huà)的背面還有一幅畫(huà),因?yàn)楫?huà)上的筆劃與一個(gè)女人在畢加索畫(huà)室里沐浴的構(gòu)圖不符。

直到20世紀(jì)90年代,X射線才揭示了主要圖像背后的“模糊圖像”。

對(duì)《藍(lán)色房間》的研究會(huì)繼續(xù)。該館長(zhǎng)計(jì)劃在2017為這幅畫(huà)和畫(huà)背后的肖像舉辦一場(chǎng)展覽。這也是2015年韓國(guó)之旅的計(jì)劃。

這不是第一次發(fā)現(xiàn)畢加索的畫(huà)中畫(huà)。

克利夫蘭藝術(shù)博物館的一位La Vie技術(shù)分析員透露,他曾對(duì)曼哈頓的古根海姆博物館的《熨衣服的女子》進(jìn)行重新加工,發(fā)現(xiàn)了隱藏畫(huà)作里的小胡子男人。

(譯者 曳尾 編輯 丹妮)

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